ʻi Pacific University</p>
<p>Made Men Undone by the Word: Frankenstein’s Creature and Pinocchio<br/>
Frances B. Auld<br/>
State College of Florida</p>
<p>The Brambles, the Spinner, and the Ungrateful Dwarf: Anti-Semitism in Early English Translations of the Grimms’ Kinder- und Hausmärchen<br/>
Veronica Schanoes<br/>
Queens College-City University of New York</p>
<p>25. (FTV) Responsible Reading: Appropriations of Mary Shelley in Frankenstein, I Am Legend, and Stranger Things Oak<br/>
Chair: Sean Nixon<br/>
Independent Scholar</p>
<p>On Being Mary Shelley’s Last Man: Radical Hospitality and the Face of the Other<br/>
Chase Pielak<br/>
Auburn University</p>
<p>Scientists and Monsters in Mary Shelley’s Frankenstein and Richard Matheson’s I Am Legend<br/>
Angela Tenga<br/>
Florida Institute of Technology</p>
<p>Promethean Misconduct: Rebellion and the Multiverse in Stranger Things<br/>
Deborah G. Christie<br/>
Bryant & Stratton College</p>
<p>26. (VPAA/HL) Playing Frankenstein Dogwood<br/>
Chair: Concetta Bommarito<br/>
Independent Scholar</p>
<p>The True Monster: A Frankensteinian Undertale<br/>
Jeffrey S. Bryan<br/>
University of California: Irvine</p>
<p>Moral Evaluations of Gothic, Frankensteinian Monsters in Gameplay Videos of Fallout 3<br/>
Sari Piittinen<br/>
University of Jyväskylä</p>
<p>27. (HL/FL/SF) The Ubiquitous Mr. Lovecraft Maple<br/>
Chair: Andrew P. Williams<br/>
North Carolina Central University</p>
<p>Reanimator: H. P. Lovecraft’s Modern Update of Victor Frankenstein<br/>
Tracy Stone<br/>
New Mexico Military Institute</p>
<p>Queer Mathematics: Non-Euclidean Geometry in the Fiction of H. P. Lovecraft<br/>
Daniel M. Look<br/>
St. Lawrence University</p>
<p>Lies, Damned Lies, and Eldritch Statistics: Toward a Quantitative Analysis of Lovecraft’s Literary Reputation<br/>
John Glover<br/>
Virginia Commonwealth University</p>
<p>28. (HL/FTV) Reimagining Frankenstein in the Nuclear Age Magnolia<br/>
Chair: Rhonda Brock-Servais<br/>
Longwood University</p>
<p>The Nuclear Gothic of Ishiro Honda’s &#8220;Frankenstein Versus Baragon&#8221; and &#8220;Frankenstein’s Monsters&#8221;<br/>
Rebecca Stone Gordon<br/>
American University</p>
<p>“‘Amnesty”, “Speech Sounds”, and American Monstrosity in the Nuclear Age<br/>
Amanda Hollander<br/>
Borough of Manhattan Community College, CUNY</p>
<p>More than Just North Korea’s “Godzilla”: Juche Ideology in Shin Sang-ok’s “Pulgasari” (1985)<br/>
Alexandra Leonzini<br/>
Freie Universität Berlin/Humboldt Universität zu Berlin</p>
<p>29. (SF) Roundtable: Donna J. Haraway Staying with the Trouble: Making Kin in the Chthulucene Captiva A<br/>
Moderator: Rebekah Sheldon<br/>
Indiana University, Bloomington</p>
<p>30. (SF) Other Science Fiction Matters Captiva B<br/>
Chair: Joshua Danley Pearson<br/>
University of California, Riverside</p>
<p>Spiritualizing Techno-Culture: Decoding Mystical and Mundane Hacker Representations in G. Willow Wilson’s Alif the Unseen<br/>
Edward Ardeneaux IV<br/>
University of the Ozarks</p>
<p>Einsteinian Traces: Einstein’s Denationalized Military and World in Sheckley’s &#8220;Specialist&#8221; and Herbert’s &#8220;Seed Stock&#8221;<br/>
Ryan Thurmon<br/>
Independent scholar</p>
<p>31. Author Readings 4 Vista A<br/>
Host: Stephen H. Segal</p>
<p>Kathleen Ann Goonan<br/>
Andy Duncan<br/>
Jacob Weisman</p>
<p>32. Author Readings 5 Vista B<br/>
Host: Alethea Kontis</p>
<p>Kij Johnson<br/>
Arin Greenwood<br/>
Shveta Thakrar</p>
<p>33. (FL) Re-examining William Morris Vista C<br/>
Chair: Benjamin Robertson<br/>
University of Colorado, Boulder</p>
<p>Morris’s The Earthly Paradise and the Fantasy of Escape<br/>
Mark Scroggins<br/>
Florida Atlantic University</p>
<p>William Morris and the Counter-Tradition of Materialist Fantasy<br/>
Timothy Murphy<br/>
Oklahoma State University</p>
<p>William Morris and the Rediscovery of the North<br/>
C. W. Sullivan III<br/>
Hollins University</p>
<p>34. (CYA/SF/FL) Gender, Sexuality, and Monstrous YA Belle Isle<br/>
Chair: Rodney Fierce<br/>
Sonoma Academy</p>
<p>“I Truly Had The Best Time Ever Creating This New Version”: Stephanie Meyer’s Controversial Gender-Swapped Book Life and Death<br/>
Amanda Firestone<br/>
The University of Tampa</p>
<p>Stitched and Knitted Together: Horror, Romance, and the Monster-Hero Body<br/>
Meghanne Flynn<br/>
University of Cambridge, Homerton College</p>
<p>Our Monstrous Selves: Queer Potential in Lee’s This Monstrous Thing and Spangler’s Beast<br/>
Bryanna Tidmarsh<br/>
Illinois State University</p>
<p>*******</p>
<p><em><strong>Thursday, March 15, 2018 12:15-2:15 p.m.</strong></em></p>
<p>Guest of Honor Luncheon: Nike Sulway Grand Ballroom<br/>
Host: Brian Atteberry</p>
<p>*******</p>
<p>Thursday, March 15, 2018 2:30-4:00 p.m.</p>
<p>35. (IF/FTV) Border Crossing and Genre Branding in Global Film, TV and Literature Cove<br/>
Chair: Karen Dollinger<br/>
University of Pikeville</p>
<p>Mary Shelley’s Monster Goes South: Masculinity, the Male Gaze, and Modern Mexican Film<br/>
Raúl Rodríguez-Hernández and Claudia Schaefer<br/>
University of Rochester</p>
<p>The Productive Force of Spiritual Labor within Extractive Capitalism: Resistance Tactics of Indigenous Teleplay-Writing Auteurs in the Global Market for “Innovative” Fantastic Genre Brands<br/>
Ida Yoshinaga<br/>
University of Hawai’i-Mānoa</p>
<p>Cannibalism and Biofobia: Not Only in the Movies, the Horror Wave in Contemporary Brazilian Literature<br/>
Gabriela Andrade<br/>
UCLA/Universidade Federal de Bahia</p>
<p>36. (FTFN/CYA/IF) Reinscribing Folk Narratives Pine<br/>
Chair: Per Klingberg<br/>
Örebro University</p>
<p>Necessary Baggage: Pinkney’s Retelling of Sam’s Wardrobe<br/>
Gloria Respress-Churchwell<br/>
Simmons College</p>
<p>John Henry, Mo’olelo Ko’olau, and Embodied Redemptive Violence<br/>
Derek J. Thiess<br/>
University of North Georgia</p>
<p>Adapting Oceanic Stories for Oceanic Youth: Bringing Hi|story into the Present to Negotiate Indigenous Futures<br/>
Caryn Lesuma<br/>
University of Hawai’i at Mānoa</p>
<p>37. (FTV/VPAA) The Veil is Lifted, and We Behold the Bare Pillars of the World: Exposing the Principles of World-Building in SF Oak<br/>
Chair: Haley Herfurth<br/>
University of Alabama at Birmingham</p>
<p>Challenges to Infinite Diversity, in Infinite Combinations, in Star Trek’s World-Building: Parodic Miscarriage, Fan Film Crackdown, and Complex Allegory<br/>
Stefan &#8220;Steve&#8221; Rabitsch<br/>
University of Graz</p>
<p>“This is not how it happened”: Narrative Forking Paths, Paratextual Inconsistencies, and the Canon in Mass Effect<br/>
Michael Fuchs<br/>
University of Graz</p>
<p>Chalmun’s Cantina: Transmedia Collaboration and the IP Farm in the Star Wars Franchise<br/>
Sean Guynes<br/>
Michigan State University</p>
<p>38. (VPAA) Sinister Sounds Dogwood<br/>
Chair: Renee T. Coulombe<br/>
Banshee Media/Improvised Alchemy</p>
<p>Magical Melodies and Hexatonic Harmonies: The Musically Uncanny in Lowell Liebermann’s Piano Nocturnes<br/>
Ann M. DuHamel<br/>
University of Minnesota - Morris</p>
<p>Monstrosities of voice<br/>
Malte Kobel<br/>
Kingston University London</p>
<p>Diabolus in Machina: Bruce Haack’s Electric Lucifer<br/>
Nicholas C. Laudadio<br/>
UNC Wilmington</p>
<p>39. (SF) Frankenstein Radiating Maple<br/>
Chair: Robert Cape<br/>
Austin College</p>
<p>Children of Frankenstein: The Utopian Dream of “The Modern Prometheus”<br/>
David Farnell<br/>
Fukuoka University (Fukuoka, Japan)</p>
<p>The Reluctant Utopianism of Kurt Vonnegut; or, Frankenstein’s Kinder, More Public-Spirited Monster<br/>
Jeffrey R. Villines<br/>
University of Houston</p>
<p>Greater Than His Nature Will Allow: A Survey of Reanimation, Resurrection, and Necromancy in Fiction since Frankenstein<br/>
Jeanne H. Griggs<br/>
Kenyon College</p>
<p>40. (HL/FTV) The House on Horror Street: Domestic Horror and the Menace of Genre Magnolia<br/>
Chair: Matthew Masucci<br/>
State College of Florida, Venice Campus</p>
<p>“I can get you anytime I want”: Complicating “Disability” in Flanagan and Siegel’s Hush<br/>
Amy Branam Armiento<br/>
Frostburg State University</p>
<p>“….This gloomy kind of story:” Shirley Jackson’s House Stories and the Literary Tradition of the Contes Cruels<br/>
Kevin Knott<br/>
Frostburg State University</p>
<p>Architectural Horror: Mormama and Wylding Hall<br/>
Sydney B. Duncan<br/>
Frostburg State University</p>
<p>41. (SF) (Re-)Reading Frankenstein Captiva A<br/>
Chair: Terry Harpold<br/>
University of Florida</p>
<p>Frankenstein and/as Dream Research<br/>
Brian Attebery<br/>
Idaho State University</p>
<p>Frankenstein and Me, an Academic Memoir<br/>
John Rieder<br/>
University of Hawai‘i at Mānoa</p>
<p>Publishing Without Patriarchal Influence? An Examination of the Earliest Drafts of Frankenstein<br/>
Amy L. Kozina<br/>
Indiana University of Pennsylvania</p>
<p>42. Panel: Teaching Genre Fiction (SCIAFA) Captiva B<br/>
Moderator: Amanda Rudd</p>
<p>A.P. Canavan, Independent Scholar<br/>
Daniel Creed, Florida Atlantic University<br/>
Valorie Ebert, Broward College<br/>
Kij Johnson, Author</p>
<p>43. Author Readings 6 Vista A<br/>
Host: Mari Ness</p>
<p>Nisi Shawl<br/>
Sam T. Miller<br/>
Theodora Goss</p>
<p>44. Creative Panel 1: What can SFWA do for you? Vista B<br/>
Moderator: Terra LeMay</p>
<p>Kate Baker<br/>
Cat Rambo<br/>
Andy Duncan<br/>
Suzanne Church<br/>
Sarah Pinsker</p>
<p>45. (FL) Of Gods, Death, Gladstone, and Morgan Vista C<br/>
Chair: Cathy Leogrande<br/>
Le Moyne College</p>
<p>Unconscious Gods and the Return of Belief in Max Gladstone’s Craft Sequence<br/>
Peter Melville<br/>
University of Winnipeg</p>
<p>More Trouble Than They Were Worth: Three Examinations of Deicide in Fantasy Literature<br/>
Charles Allison<br/>
Freelance Writer/Editor</p>
<p>“Now there was only Death”: The Aftermath of Fantasy in A Land Fit For Heroes<br/>
Benjamin J. Robertson<br/>
University of Colorado, Boulder</p>
<p>46. (SF/FTV/HL/FL) Colonialism and the Patriarchy in YA Narratives Belle Isle<br/>
Chair: Christyl Rosewater<br/>
Hollins University</p>
<p>Penny Dreadful’s Victor Frankenstein as Patriarchal and Colonial Oppressor<br/>
Joseph Schaub<br/>
Virginia Commonwealth University</p>
<p>The Euphemism of Rebellion: Ally Condie’s Matched Trilogy and the Reinforcement of Patriarchal, Heteronormative Structures<br/>
Jaime DeTour<br/>
Kansas State University</p>
<p>History of Magic in North America and Wizarding Schools: Reproducing British Imperialism and the Colonial Attitudes in J.K. Rowling’s Pottermore Texts<br/>
Roxana Loza<br/>
University of Texas</p>
<p><em><strong>Thursday, March 15, 2018 4:15-5:45 p.m.</strong></em></p>
<p>47. (SF) New Frankensteins Cove<br/>
Chair: Stina Attebery<br/>
University of California, Riverside</p>
<p>Anne McCaffrey’s Frankenstein: Restoree<br/>
Audrey Taylor<br/>
Midway University</p>
<p>Reckoning with Monstrosity in Mary Shelley’s Frankenstein and Jeff VanderMeer’s Borne<br/>
Jason Embry<br/>
Georgia Gwinnett College</p>
<p>“A creature built […] from shadow and hardware”: Peter Watts’s Frankensteinian Figures<br/>
Dominick Grace<br/>
Brescia University College</p>
<p>48. (FTFN) Revisiting the Monster Bridegroom and Female Agency Pine<br/>
Chair: Kacey L. Doran<br/>
Rutgers University – Camden</p>
<p>Revival and Reversal: The Rise of America’s Robber Bridegroom<br/>
Abigail Heiniger<br/>
Bluefield College</p>
<p>The Beauty of Feminism, the Beast of Patriarchy: Investigating Subversive Retellings<br/>
Nivair H. Gabriel<br/>
Simmons College</p>
<p>Bluebeard or Beast?: Gothic and Fairy Tale Influences on Popular Romance<br/>
Linda J. Lee<br/>
University of Pennsylvania</p>
<p>49. (FTV) Queer SF / Performing Gender Oak<br/>
Chair: Patricia L. Grosse<br/>
Drexel University</p>
<p>Frankenstein’s Monster Swipes Right: Homosociality and Collaborative Masculinity in The Librarians<br/>
Chelsea Clarey<br/>
Clemson University</p>
<p>Testosterone Overdose: Grendel as Monstrous Masculinity in Beowulf Films<br/>
A. Keith Kelly<br/>
Georgia Gwinnett College</p>
<p>Queer Futures in a Black Mirror: Reality, Sexuality, and Technology in &#8220;San Junipero&#8221;<br/>
Rory Sharp<br/>
New College of Florida</p>
<p>50. (VPAA/FTV) Fan(tastic) Fics Dogwood<br/>
Chair: Eve Smith<br/>
Liverpool John Moores University</p>
<p>(Re)Figuring the Heroic Body: Disability, Trauma and Autonomy in Fanfiction of Marvel’s Cinematic Universe<br/>
Nicola R. Govocek<br/>
Temple University</p>
<p>Who Should Queen Elsa Love? Frozen Fanfiction and the (Queer) Romance Plot<br/>
Eva Wijman<br/>
Umeå University</p>
<p>They Went There: Penny Dreadful as Fan Fiction, Fan Service, Fan Text<br/>
Sarah G. Carpenter<br/>
George Mason University</p>
<p>51. (FL) Curating Frankenstein Maple<br/>
Moderator: Valorie Ebert<br/>
Broward College</p>
<p>J. J. Jacobson, University of California, Riverside library<br/>
Peter Balestrieri, University of Iowa library</p>
<p>52. (HL/IF/FL) Horror without Borders Magnolia<br/>
Chair: Alexandra Leonzini<br/>
Freie Universität Berlin/Humboldt Universität zu Berlin</p>
<p>Reimagining Colonized Spaces: Decolonial Queer Ecologies in Fantastic Fiction<br/>
Luke Chwala<br/>
Duquesne University</p>
<p>Bodies and Borders: Postcolonial Horror and Ideological Decolonization<br/>
Wesley Tyler Johnson<br/>
Pasco Hernando State College</p>
<p>Ghosts and Monsters: the Arctic in Speculative and Horror Fiction<br/>
Maria Lindgren Leavenworth<br/>
Department of Language Studies, Umeå University, Sweden</p>
<p>53. (VPAA) Panel: Frankenstein in Two Dimensions: Artificial Humans in Comics Captiva A<br/>
Moderator: Kevin J. Maroney<br/>
New York Review of Science Fiction</p>
<p>Bernadette L. Bosky<br/>
Bryan Dietrich<br/>
P. Andrew Miller<br/>
Albert Wendland</p>
<p>54. (FL) Panel: Theorizing the Genre - Fantastic Memories Captiva B<br/>
Moderator: Daniel Creed<br/>
Florida Atlantic University</p>
<p>Fred Botting, Kingston University London<br/>
Jennifer Cox, University of Idaho, Pocatello<br/>
Stefan Ekman, University of Gothenburg<br/>
Ian C. Esselmont, Author<br/>
Regina Hansen, Boston University</p>
<p>55. Author Readings 7 Vista A<br/>
Host: F. Brett Cox</p>
<p>John Chu<br/>
Albert Wendland<br/>
Steven Erikson</p>
<p>56. Creative Panel 2: Gender and Sexuality in Speculative Fiction Vista B<br/>
Mod.: Alyc Helms</p>
<p>Eugene Fischer<br/>
Keffy R. M. Kehrli<br/>
David D. Levine<br/>
Brit Mandelo<br/>
Isabel Yap</p>
<p>57. (FL) Robert E. Howard’s Sword and Sorcery Vista C<br/>
Chair: Matt Oliver<br/>
Campbellsville University</p>
<p>Gods of the North: Nordicist Mythology and Racialist Anthropology in the World-Building of Robert E. Howard<br/>
Jeffrey Shanks<br/>
Southeast Archeological Center</p>
<p>Cosmic Dimensions and Ancient Times: H. P. Lovecraft’s Influence on Robert E. Howard’s Concept of &#8216;Time’ and its Depiction in Robert E. Howard’s Fantastic Stories<br/>
Dierk Günther<br/>
Tokushima University, Japan</p>
<p>Swords and Chronomancy: Robert E. Howard, Poul Anderson, and the Poetics of Eternity<br/>
Jason Ray Carney<br/>
Christopher Newport University</p>
<p>58. (CYA/SF) Panel: Mary Shelley’s Inheritors: Modern Representations of Speculative Fiction’s Gendered History Belle Isle<br/>
Moderator: Amanda Firestone<br/>
The University of Tampa</p>
<p>Kate L. Fedewa, Michigan State University<br/>
Sarah E. Gibbons, Michigan State University</p>
<p>*****<br/>
<em><strong>Thursday, March 15, 2018</strong></em><br/>
<em><strong> 6:00-7:00 p.m.</strong></em><br/>
IAFA Business Meeting Captiva A/B</p>
<p>7:15-8:15 p.m.<br/>
Division Head Meeting Board Room B</p>
<p>8:30-9:30 p.m.<br/>
Guest of Honor Speech: John Kessel: Mary, Jane, and Me Capri<br/>
Host: Andy Duncan</p>
<p>9:45-10:45 pm<br/>
Jon Kessel Reception Capri</p>
<p>11:00-12:30<br/>
SF Short Film Block - selections curated by Ritch Calvin and Paweł Frelik Capri</p>
<p>*****</p>
<p><em><strong>Friday, March 16, 2018 9:00 a.m.</strong></em><br/>
JFA Business Meeting Boardroom B</p>
<p>Friday, March 16, 2018 8:30 a.m.-10:00 a.m.</p>
<p>59. (IF/SF/VPAA) Revenants International: Representing Unsettled Bodies across Time and Space Cove<br/>
Chair: Karin Myhre<br/>
University of Georgia</p>
<p>Science and the Supernatural: Restoring Life in Paul Féval’s La Ville-vampire<br/>
W. Bradley Holley<br/>
Georgia Southern University</p>
<p>Female Bodies and Unearthly Thieves: Changing the Context of Spain’s Early Twentieth-Century Gender Debates in Fiction by Angeles Vicente and Rafael López de Haro<br/>
James A. Wojtaszek<br/>
University of Minnesota-Morris</p>
<p>The Erotic Dead: Archipelagic Identity, Cyborgs and Living Death in Walcott and Heaney<br/>
Kristy Eagar<br/>
Brigham Young University</p>
<p>60. (FTV) Spider-man: Homecoming and Science as Magic Pine<br/>
Chair: Kyle William Bishop<br/>
Southern Utah University</p>
<p>Ragged Peter; or, Repurposing Horatio Alger’s Wealthy Mentor in Spider-Man: Homecoming<br/>
Mark T. Decker<br/>
Bloomsburg University</p>
<p>As Not Seen On TV: Science’s New Role in Popular Media<br/>
Clair McLafferty<br/>
Independent Scholar</p>
<p>61. (FTV) Disability in Marvel Films and Dystopian Television Oak<br/>
Chair: Kayley Thomas<br/>
University of Florida</p>
<p>How Many Fingers Am I Holding Up? The Marvel Universe’s Disappearing Disabilities<br/>
Kelly Kane<br/>
Iowa State University</p>
<p>The Redefinition of Fertility as Disability in The Handmaid’s Tale<br/>
Jordan Meyerl<br/>
Arcadia University</p>
<p>Zombies as a Metaphor for Disability in BBC’s In the Flesh<br/>
Jennifer Brown<br/>
Arcadia University</p>
<p>62. SCIAFA Writing Workshop Dogwood<br/>
Host: Paweł Frelik</p>
<p>63. (FTV/SF) Star Wars and Star Trek Maple<br/>
Chair: Charles Cuthbertson<br/>
Palm Beach State College</p>
<p>“I find your lack of faith disturbing”: Lessons on Law and Religion from a Galaxy Far, Far Away<br/>
Louis Di Leo<br/>
Florida Southern College</p>
<p>Star Trek after Discovery<br/>
Gerry Canavan<br/>
Marquette University</p>
<p>Noonian Soong; or, the (New) Modern Prometheus: Star Trek: The Next Generation’s Data and Lore and the Definition of Monstrosity<br/>
Haley Herfurth<br/>
University of Alabama at Birmingham</p>
<p>64. (HL/VPAA) Blood in the Gutter: Horror and/in Comics Magnolia<br/>
Chair: Robert D’Errico<br/>
Algonquin College</p>
<p>Carl & Lydia: A Posthuman Love Story in The Walking Dead<br/>
Anelise Farris<br/>
Idaho State University</p>
<p>Zombie Apocalypse and Murder Mysteries: Gothic Re-Imaginings of the Archie Comics Universe<br/>
Enrique Ajuria Ibarra<br/>
Universidad de las Américas Puebla (UDLAP)</p>
<p>&#8220;&#8230;And you bastards ain’t never gonna break me&#8221;: Feminist Subversions of Abjection and Exploitation in The Handmaid’s Tale and Bitch Planet<br/>
Cailin Flannery Roles<br/>
Kansas State University</p>
<p>65. (SF) Frankenstein Rippling Captiva A<br/>
Chair: Sandra Lindow<br/>
Independent scholar</p>
<p>Ripples and Rebounds—Tracing the Influence of Frankenstein<br/>
Alison Bedford<br/>
University of Southern Queensland</p>
<p>The Offspring We Don’t Talk About: Enlightenment and Gothicism in James Morrow’s Frankenstein Narratives, The Last Witchfinder and The Philosopher’s Apprentice<br/>
Simone Caroti<br/>
Full Sail University</p>
<p>Prometheus, or the New Frankenstein in Science Fiction<br/>
Robert Cape<br/>
Austin College</p>
<p>66. (SF/VPAA) Panel: Franken-Fashion Captiva B<br/>
Moderator: Emily Jiang<br/>
Invited Artist</p>
<p>Kathryn Allan, Independent Scholar<br/>
Stina Attebery, University of California, Riverside<br/>
Jaymee Goh, Independent Scholar<br/>
Fran Wilde, Author</p>
<p>67. Author Readings 8 Vista A<br/>
Host: Jean Lorrah</p>
<p>Nick DiChario<br/>
Joyce Chng<br/>
Judith Berman</p>
<p>68. Artistic Presentations Vista B<br/>
Host: David M. Higgins</p>
<p>Charles Vess<br/>
Tenea D. Johnson<br/>
lewis lain</p>
<p>69. (FL) A Song of Liberation and Fire Vista C<br/>
Chair: Kim Wickham<br/>
University of Rhode Island</p>
<p>I Should Like to See a Dragon; Modality and Dispossession in A Song of Ice and Fire<br/>
Joseph Young<br/>
University of Otago</p>
<p>The Silver Queen’: U.S. Imperialism and A Song of Ice and Fire<br/>
Rachel Hartnett<br/>
University of Florida</p>
<p>The Fantasy of the American Liberator: Neocolonialism in Graceling Realm trilogy<br/>
Samantha Baugus<br/>
University of Florida</p>
<p>70. (CYA/FTV/FL) Agency and Childhood Identity in the Long 19th Century Belle Isle<br/>
Chair: Rodney Fierce<br/>
Sonoma Academy</p>
<p>Everyone is Watching, Act Normal: Panopticism in the Works of Carroll and Barrie<br/>
Kathryn Hall<br/>
Kansas State University</p>
<p>Santa Fantasies for Children in the Long Nineteenth Century and Today<br/>
Eugene Giddens<br/>
Anglia Ruskin University</p>
<p>“This Only Goes to Show What Little People Can Do”: Childhood and Agency in Les Miserables<br/>
Olivia Bushardt<br/>
University of Southern Mississippi</p>
<p>*******</p>
<p>Coffee Break 10:00-10:30am Mezzanine and Ballroom Foyer</p>
<p>*******</p>
<p><em><strong>Friday, March 16, 2018 10:30 a.m.-12:00 p.m.</strong></em></p>
<p>71. (IF) Panel: Decolonizing Fantastic Storytelling: A Cross-Genre Discussion and Workshop Cove<br/>
Moderator: Ida Yoshinaga<br/>
University of Hawai’i-Mānoa</p>
<p>Grace L. Dillon, Portland State University<br/>
Lynette James, Independent Scholar<br/>
Caryn Lesuma, University of Hawai`i-Mānoa<br/>
Taryne Taylor, Embry-Riddle Aeronautical University</p>
<p>72. (FTFN) Panel: Frankenstein and Folklore Pine<br/>
Moderator: Cristina Bacchilega<br/>
University of Hawai‘i-Mānoa</p>
<p>Brittany Warman, The Ohio State University<br/>
Jeana Jorgensen, Butler University<br/>
Veronica Schanoes, Queens College-CUNY<br/>
Jared Jones, Ohio State University</p>
<p>73. (FTV) The Feminist Legacy of Frankenstein Oak<br/>
Chair: Clair McLafferty<br/>
Independent Scholar</p>
<p>Time Will Tell: 12 Monkeys and Echoes of Frankenstein<br/>
Lisa Macklem<br/>
The University of Western Ontario</p>
<p>&#8220;Crazy for the Flesh&#8221;: Love, &#8220;Mad Science,&#8221; and Monstrosity in The Fly<br/>
Kathryn Allan<br/>
Independent Scholar</p>
<p>Freak Show Frankenstein: American Horror Story’s Elsa Mars as Palimpsestuous Icon of Monstrosity<br/>
Jennifer K. Cox<br/>
Idaho State University</p>
<p>74. (VPAA) Game Theory Deluxe: Neocolonialism, Lovecraft and Russian Formalism Dogwood<br/>
Chair: Kenton Taylor Howard<br/>
University of Central Florida</p>
<p>“All your base are belong to us”: Neocolonialism and New Empire in Science Fiction Video Games<br/>
Paweł Frelik<br/>
Maria Curie-Sklodowska University</p>
<p>“I am not your legend. Your legend does not exist.”: The Unlikely Lovecraft in Shadow of the Colossus and Doki Doki Literature Club<br/>
Concetta Bommarito<br/>
Independent Scholar</p>
<p>It’s not Easy Having a Good Time: Video Games, Difficulty and Russian Formalism<br/>
Tom Reiss<br/>
Independent Scholar</p>
<p>75. (SF) Utopias and Dystopias Maple<br/>
Chair: Kristina Baudemann<br/>
University of Flensburg</p>
<p>“Stamping on a Human Face Forever”: Punishment and the Body in Dystopian Fiction<br/>
Amandine Faucheux<br/>
Louisiana State University</p>
<p>Dancing for Death: Sterilization as Apocalypse in Roger Zelazny’s “A Rose for Ecclesiastes”<br/>
Rebecca McNulty<br/>
University of Florida</p>
<p>Anthropological/Science/Fiction: Michael Bishop’s Transfigurations<br/>
Joe Sanders<br/>
Shadetree Scholar</p>
<p>76. (HL) Mary Shelley’s Precursors and Other Progeny Magnolia<br/>
Chair: Mark A. Fabrizi<br/>
Eastern Connecticut State University</p>
<p>“Pizarro” as a Gothic Villain<br/>
Jun Ichikawa<br/>
Nippon Sport Science University</p>
<p>Gothic Deformations: The Dwarf as Horror in Mary Shelley’s “Transformation” and Elizabeth Gaskell’s “Curious if True”<br/>
Matthew Masucci<br/>
State College of Florida, Venice Campus</p>
<p>77. Author Readings 9 Vista A<br/>
Host: Neil Clarke</p>
<p>Madeleine E. Robins<br/>
Jaymee Goh<br/>
Maurice Broaddus</p>
<p>78. Creative Panel 3: How Adaptation Transforms Narratives Vista B<br/>
Mod.: James Patrick Kelly</p>
<p>Therese Fowler<br/>
Ted Chiang<br/>
John Kessel<br/>
Karen Joy Fowler<br/>
Kelley Eskridge</p>
<p>79. (FL) Genreflexive Feminism in Fantasy Vista C<br/>
Chair: Dennis Wilson Wise<br/>
University of Arizona</p>
<p>“Other things I know”: Metafiction and Supernaturalism in Jean Rhys’s Wide Sargasso Sea<br/>
Alexandra Oxner<br/>
Vanderbilt University</p>
<p>“Roads were made for Young Men”: The Female Hero in Lois McMaster Bujold’s Paladin of Souls<br/>
Kim Wickham<br/>
University of Rhode Island</p>
<p>“And Others”: Women, Science, and History in Marie Brennan’s A Natural History of Dragons<br/>
Megan Suttie<br/>
McMaster University</p>
<p>80. (FL) Crafting the Fantastic Experience Belle Isle<br/>
Chair: Stefan Ekman<br/>
University of Gothenburg</p>
<p>“What I Do Not Recall I Shall Invent”: Frame Narratives, Literal Metaphors, and Irony in Epic Fantasy<br/>
Matthew Oliver<br/>
Campbellsville University</p>
<p>Transgressing the Inevitable Present: Confabulation and Discovery in Fantasy<br/>
Daniel Creed<br/>
Florida Atlantic University</p>
<p>It Feels So Real – What Constitutes our Emotive Response to Fantasy<br/>
Tereza Dědinová<br/>
Masaryk University, Brno, Czech Republic</p>
<p>*******</p>
<p><em><strong>Friday, March 16, 2015 12:15-2:15 p.m.</strong></em></p>
<p>Guest Scholar Luncheon: Fred Botting, Humanism to Trashumanism: Frankenstein (Mary Shelley) in Frankenstein (Bernard Rose) Grand Ballroom<br/>
Host: Anya Heise-von der Lippe</p>
<p>*******</p>
<p><em><strong>Friday, March 16, 2018 2:30 p.m.-4:00 p.m.</strong></em></p>
<p>81. (IF) Spanish and Cuban Takes on Fantastic Genres Cove<br/>
Chair: Ian Campbell<br/>
Georgia State University</p>
<p>A Tale of Two Spains: Eduardo Vaquerizo’s Minds of Night and Ice<br/>
Dale Knickerbocker<br/>
East Carolina University</p>
<p>Daína Chaviano’s Gata encerrada as Portal Fantasy<br/>
Karen Dollinger<br/>
University of Pikeville</p>
<p>Lazarillo de Tormes and Rhetorical Paradox<br/>
Robin McAllister<br/>
Sacred Heart University</p>
<p>82. (FTFN/FL) Fiction Roundtable: Theodora Goss’s The Strange Case of the Alchemist’s Daughter Pine<br/>
Moderator: Sara Cleto<br/>
The Ohio State University</p>
<p>Theodora Goss, Boston University</p>
<p>83. (FTV) The Intertextual Legacy of Frankenstein Oak<br/>
Chair: Chase Pielak<br/>
Auburn University</p>
<p>Promethean Pairings: Scientific and Creative Vision in Frankenstein and Jurassic Park<br/>
Cassandra Bausman<br/>
Trine University</p>
<p>Beyond Adaptation: Unpacking the Frankenstein Mythos in The X-Files Episode “The Post-Modern Prometheus”<br/>
Sarah Bea Milner<br/>
Trent University</p>
<p>“Strangely are our Souls Constructed”: Frankenstein, Intertextual Identity, and Michael Fassbender’s David and Magneto<br/>
Kayley Thomas<br/>
University of Florida</p>
<p>84. (VPAA) Dark and Broken Beats Dogwood<br/>
Chair: Nicholas C. Laudadio<br/>
UNC Wilmington</p>
<p>Dark<br/>
Isabella van Elferen<br/>
Kingston University London</p>
<p>“We are not a conquered people:” Broken Beats and Indigenous Futurologies in A Tribe Called Red’s Halluci Nation<br/>
Renee T. Coulombe<br/>
Banshee Media/Improvised Alchemy</p>
<p>85. (SF) Panel: Speculative Vegetation: Plants in Science Fiction Maple<br/>
Moderator: Katherine Bishop<br/>
Miyazaki International College</p>
<p>Graham J. Murphy, Seneca College<br/>
Brittany Roberts, University of California, Riverside<br/>
Alison Sperling, Santa Clara University<br/>
Steven Shaviro, Wayne State University</p>
<p>86. (HL) Horror and the Medicalization of the Body Magnolia<br/>
Chair: Amy Branam Armiento<br/>
Frostburg State University</p>
<p>Stitched: Frankensteinian Explorations of Medicine in Tanya Huff’s Blood Pact<br/>
Derek Newman-Stille<br/>
Trent University</p>
<p>&#8220;Female Freaks: Gendered Monstrosity in the Hands of Science&#8221;<br/>
Shannon Scott<br/>
University of St. Thomas</p>
<p>Who Are You and What Have You Done with My Mother? Uncovering the Demon in Dementia<br/>
Robert D’Errico<br/>
Algonquin College</p>
<p>87. Author Readings 10 Vista A<br/>
Host: Jeanne Beckwith</p>
<p>Anna Kashina<br/>
Ben Loory</p>
<p>88. Author Readings 11 Vista B<br/>
Host: Brooke Bolander</p>
<p>Geoff Ryman<br/>
Joe Haldeman<br/>
Ann Leckie</p>
<p>89. (FL) Escaping the Inklings Vista C<br/>
Chair: W. A. Senior<br/>
Independent Scholar</p>
<p>Mythopoeia at Work: The Shared Universe of Lewis and Tolkien<br/>
Elisabeth Wilk<br/>
Hollins University</p>
<p>Lord of the Rings: The Binding Power of the One Ring through Anglo-Saxon Hierarchy<br/>
Lauren Schopf<br/>
Arcadia University</p>
<p>“It is difficult to blame it, unless it fails”: Escapism and Dismissal in Speculative Fiction<br/>
Liamog Drislane<br/>
Fairleigh Dickinson University</p>
<p>90. (CYA/FTV/FL) Who’s This Made For?: Audience, Interaction, and Relationships in Children’s Entertainment Belle Isle<br/>
Chair: C. W Sullivan III<br/>
Hollins University</p>
<p>Toying with Monsters: Adult’s Play in Childhood Culture<br/>
Zoe Jaques<br/>
University of Cambridge</p>
<p>Trauma and Restorative Power of the Feminine in Moana, Maleficent, and Frozen<br/>
Jessica Stanley Neterer<br/>
John Tyler Community College</p>
<p>*******</p>
<p><em><strong>Friday, March 16, 2018 4:15-5:45 p.m.</strong></em></p>
<p>91. (IF/H) (Post-)Colonialism and Patriarchy in Non-Western SF Cove<br/>
Chair: Sharon Diane King<br/>
UCLA Center for Medieval and Renaissance Studies</p>
<p>The Lingering Effects of Colonialism on Modern Philippine Speculative Fiction<br/>
Lew Andrada<br/>
University of Southern Maine</p>
<p>Non-conquering Explorers: Space Travel in Indian Science Fiction<br/>
Suparno Banerjee<br/>
Texas State University</p>
<p>A Picnic by the Artificial Womb: The Estrangement of Patriarchy through Reproduction in Three Arabic Sf Novels<br/>
Ian Campbell<br/>
Georgia State University</p>
<p>92. (FTV) Making SF and Fantasy Television Pine<br/>
Chair: Gerry Canavan<br/>
Marquette University</p>
<p>Weirding the Outside: The OA and the New Weird<br/>
Steen Christiansen<br/>
Aalborg University</p>
<p>Let Me Tell You a Story: Mr. Nancy’s Narrative Therapy and Critical Pedagogy in Starz’s American Gods<br/>
Novella Brooks de Vita<br/>
Texas Southern University</p>
<p>93. (FTV/SF) Theories of the Real and Ideal in SF Film and Television Oak<br/>
Chair: Stefan &#8220;Steve&#8221; Rabitsch<br/>
University of Graz</p>
<p>“How can I go back to pretending…?”: On the Fictional and the Real in Westworld (2016)<br/>
Grant Dempsey<br/>
University of Western Ontario</p>
<p>Documenting Utopia: The Nonfiction Films of Defa-Futurum<br/>
Simon Spiegel<br/>
University of Zurich</p>
<p>The Real Thing, the Movie Thing, and the Cinematic Gaze: Kuttner, Barnes, and the Movies<br/>
J. P. Telotte<br/>
Georgia Tech</p>
<p>94. (SF) Science Fiction and Politics Maple<br/>
Chair: Hugh Charles O’Connell<br/>
University of Massachusetts Boston</p>
<p>Bizzaro Victimhood: Reverse Colonization and Imperial Fantasy<br/>
David M. Higgins<br/>
Inver Hills College</p>
<p>Catching the “Fallen” Demos: Neoliberalism, Authoritarianism, and Decadent Democracy in Morrison and Porter’s JLA<br/>
Joshua Danley Pearson<br/>
University of California, Riverside</p>
<p>What Women Do Is Survive—Revisiting Tiptree, Russ, and Atwood in the Era of Trump, Cosby, and Weinstein<br/>
Alayne Peterson<br/>
University of Wisconsin, Fond du Lac</p>
<p>“What is?”: Gold Fame Citrus’s Climate Crises of Language<br/>
Terry Harpold<br/>
University of Florida</p>
<p>95. (HL) Theorizing Horror and Monstrosity Magnolia<br/>
Chair: Eric D. Smith<br/>
University of Alabama-Huntsville</p>
<p>&#8220;I was a poor, helpless, miserable wretch&#8221;: Mary Shelley’s Frankenstein and the Trend of the Sympathetic Monster<br/>
Nicole Aceto<br/>
Duquesne University McAnulty Graduate School of the Liberal Arts</p>
<p>Supernatural Horror and Religious Experience: An Historical Sketch<br/>
James C. McGlothlin<br/>
Bethlehem College & Seminary</p>
<p>Transcending the Metaphor of Horror: Teaching Critical Literacy through Horror<br/>
Mark A. Fabrizi<br/>
Eastern Connecticut State University</p>
<p>96. (SF) Frankensteinian Monsters Captiva A<br/>
Chair: John Rieder<br/>
University of Hawai‘i at Mānoa</p>
<p>Frankenstein’s Legacy: The Nature of Monster Versus Man in Science Fiction<br/>
Brandy Eileen Allatt<br/>
Independent scholar</p>
<p>For by your words you will be acquitted, and by your words you will be condemned: Monstrous Self-Disclosure in Mary Shelley’s Frankenstein, John Gardner’s Grendel and Octavia Butler’s Fledgling<br/>
David G. Schappert<br/>
Director of Library Services, Marywood University</p>
<p>Frankensteins’ Monsters’ Monsters<br/>
Stan Hunter Kranc<br/>
Pennsylvania State University</p>
<p>97. (VPAA) Roundtable: How to Present the History of Digital Games: Enthusiast, Emancipatory, Genealogical, and Pathological Approaches Captiva B<br/>
Moderator: Tom Reiss<br/>
Independent Scholar</p>
<p>98. Author Readings 12 Vista A<br/>
Host: Paul Tremblay</p>
<p>Ellen Klages<br/>
Michael Arnzen<br/>
Max Gladstone</p>
<p>99. Creative Panel 4: Power, Politics, and Speculative Fiction Vista B<br/>
Moderator: Stephanie Feldman</p>
<p>Fran Wilde<br/>
Sam J. Miller<br/>
Sally Grotta<br/>
Mary Anne Mohanraj</p>
<p>100. (FL) Reasoning with Donaldson and Drinking with Kay Vista C<br/>
Chair: Joseph Young<br/>
University of Otago</p>
<p>Reasoning with Evil: Stephen R. Donaldson’s Covenant Novels<br/>
W. A. Senior<br/>
Independent Scholar</p>
<p>Gender Violence and Feminist Thought in Stephen R. Donaldson’s “Reave the Just”<br/>
Dennis Wilson Wise<br/>
University of Arizona</p>
<p>“It’s the Black Boar Tonight, My Friends”: Drinking and Drinking Places in Guy Gavriel Kay’s The Fionavar Tapestry<br/>
Mark Buchanan<br/>
York University</p>
<p>101. (CYA/HL/FL/FTFN) The Monstrous Feminine: Gender, Sexuality, and the Body in YA Fantasy and Horror Belle Isle<br/>
Chair: Susan M. Strayer<br/>
Ohio State University</p>
<p>“You Had Milk; I had Science”: Gender Resistance, Reanimation, and the Fantastic in Seanan McGuire’s Down among the Sticks and Bones<br/>
Megan MacAlystre<br/>
Clemson University</p>
<p>London as Frankenstein, Monster, and Inventor: The Feminine Monstrosity of London in YA Fiction<br/>
Madison McLeod<br/>
University of Cambridge</p>
<p>The Monsters among Us: Alternatively Rejecting, Embodying, and Overcoming Monstrosity in Frankenstein, &#8220;The New Boyfriend,&#8221; and Nimona<br/>
Jeannie Coutant<br/>
Simmons College</p>
<p>*******<br/>
<em><strong>Friday, March 16, 2018 6:00-7:00 p.m.</strong></em><br/>
Student Caucus Meeting Captiva A</p>
<p>Friday, March 16, 2018 7:00-8:00 p.m.<br/>
Lord Ruthven Assembly Captiva B</p>
<p>Friday, March 16, 2018 8:30-9:30 p.m.<br/>
8:30 Guest of Honor Readings: Nike Sulway and John Kessel Capri<br/>
Host:</p>
<p>Friday, March 16, 2018 9:45-10:45 p.m.<br/>
ICFA Flash Play Festival III: Unfashioned Creatures…Half Made Up Capri<br/>
Directed by Carrie J. Cole and Kelli Shermeyer<br/>
Hosted by John Kessel<br/>
Written and performed by the authors, editors, and scholars of IAFA</p>
<p>*******</p>
<p><em><strong>Saturday, March 17, 2018 8:00</strong> </em></p>
<p>Clone with Joan Breakfast Restaurant<br/>
From spider silk Adidas shoes, to Zika virus treating brain tumors, we discuss the latest real biology too bizarre for science fiction. Join us for a breakfast discussion with award-winning SF author and biologist Joan Slonczewski (participants are responsible for their own breakfast costs). Limited spaces are available; please sign up at the registration desk.</p>
<p><em><strong>Saturday, March 17, 2018 8:30-10:00 a.m.</strong></em></p>
<p>102. (IF) Fantastic Motifs and Monsters in Eastern and Western Classics Cove<br/>
Chair: Suparno Banerjee<br/>
Texas State University</p>
<p>Embodying the Demonic and the Divine in Chinese Painting<br/>
Karin Myhre<br/>
University of Georgia</p>
<p>The Fairy-Tale Motif of “The Animal Left Behind” in Classical Literature<br/>
Debbie Felton<br/>
University of Massachusetts-Amherst</p>
<p>Unhelpful Monsters: Designed Beings and Unforeseen Consequences in Stanslaw Lem’s Cyberiad<br/>
Andrés García-Londoño<br/>
University of Pennsylvania</p>
<p>103. (FTFN/CYA) Examining Childhood through Folk Narratives Pine<br/>
Chair: Gloria Respress-Churchwell<br/>
Simmons College</p>
<p>Know your Enemy: Contradictory Elements Find Synthesis in The Kingdom of Little Wounds<br/>
Cora Jaeger<br/>
Kansas State University</p>
<p>Little Red Riding Hood and Her Fellow Wolves: A Classic Story Exposes Fears around Children<br/>
Kacey L. Doran<br/>
Rutgers University - Camden</p>
<p>&#8220;The Elf on the Shelf&#8221; and the Commodification of Imagination<br/>
Regina Hansen<br/>
Boston University</p>
<p>104. (FTV/SF) &#8220;I’ve seen things, now let’s talk about them&#8221;: A Roundtable Discussion on Blade Runner and Blade Runner 2049 Oak<br/>
Moderator: Rebecca Stone Gordon<br/>
American University</p>
<p>Sherryl Vint, UC Riverside<br/>
Simon Spiegel, University of Zurich<br/>
Paweł Frelik, Maria Curie-Sklodowska University<br/>
Amy J. Ransom, Central Michigan University</p>
<p>105. (VPAA) Graphic East/West Dogwood<br/>
Chair: Eva Wijman<br/>
Umeå University</p>
<p>Out and Super: Fifty-Five Years of Inconsistent LGBT Representation in Marvel Comics<br/>
Sean Robinson<br/>
Plymouth State University</p>
<p>Lovecraft Whirling into Ito: Spirality and Cosmic Horror in Uzumaki<br/>
Sean Moreland<br/>
University of Ottawa</p>
<p>The Fantastic Origins of Odilon Redon<br/>
Natalie Deam<br/>
Stanford University</p>
<p>106. (VPAA) Panel: Podcast Revolution: Audio Drama as a Re-emergent Literary and Performative Format for Speculative Fiction Maple<br/>
Moderator: Marco Palmieri<br/>
Tor Books / Tor Labs</p>
<p>Jennifer Gunnels, Tor Books<br/>
Carrie J. Cole, Indiana University of Pennsylvania<br/>
Karen Hellekson, Transformative Works and Cultures<br/>
Andrea Hairston, Chrysalis Theatre</p>
<p>107. (HL/FL/FTV) Beyond the Monstrous Feminine Magnolia<br/>
Chair: Amanda Hollander<br/>
Borough of Manhattan Community College, CUNY</p>
<p>“Not your Creature”: celebrating rebellious puppets, dolls, fictional figures and monstrous energies in Angela Carter’s ‘The Loves of Lady Purple’(1974),The Magic Toyshop (1967) and Helen Oyeyemi’s Mr Fox (2011 ) and “Is Your Blood as Red as This?”(2016).<br/>
Gina Wisker<br/>
University of Brighton</p>
<p>Independent America has Mommy Issues: A Study of Shirley Jackson’s The Haunting of Hill House and Black Mirror’s “Playtest”<br/>
Noran R. Amin<br/>
Idaho State University</p>
<p>Monsters, Feminism, and the Horror Boom of the 1970s<br/>
Andrew P. Williams<br/>
North Carolina Central University</p>
<p>108. (SF/IF) Indigenous Futures Captiva A<br/>
Chair: Graham J. Murphy<br/>
Seneca College</p>
<p>“Being a werewolf isn’t just teeth and claws”: Indigenous Futurisms and the Monstrous<br/>
Kristina Baudemann<br/>
University of Flensburg</p>
<p>Oil, Water, and Lightning: Theorizing Indigenous New Materialisms in Thunderbird Strike<br/>
Stina Attebery<br/>
University of California, Riverside</p>
<p>109. (SF) Robots Captiva B<br/>
Chair: Jason Embry<br/>
Georgia Gwinnett College</p>
<p>The Influence of Early Science Fiction on Cultural Views and Portrayals of Robots<br/>
Joelle Renstrom<br/>
Boston University</p>
<p>Atom, Baymax, Colossus, Data: Bringing Order to Robot Stories<br/>
Lauren Liebowitz<br/>
Bucknell University</p>
<p>Artificial Eloquence: Computer-Based Analysis of Human and Robotic Dialogue in Classic Science Fiction<br/>
Claire Cahoon<br/>
Ithaca College</p>
<p>110. Author Readings 13 Vista A<br/>
Host: Lisa Lanser Rose</p>
<p>Eileen Gunn<br/>
Dell Award Winner<br/>
Daryl J. Gregory</p>
<p>111. Creative Panel 5: Brave New World 201 (Speculative Publishing) Vista B<br/>
Moderator: Jennifer Stevenson</p>
<p>Cecelia Tan<br/>
Julia Rios<br/>
Michael Damian Thomas<br/>
Sandra McDonald</p>
<p>112. (FL) Frankly Milton Vista C<br/>
Chair: John Pennington<br/>
St. Norbert College</p>
<p>Faith: Milton::Doubt: Shelley-Paradise Lost in Frankenstein<br/>
Scott D. Vander Ploeg<br/>
Madisonville Community College</p>
<p>Romantic Sympathies: Frankenstein’s creature as Satan, Adam, and Eve.<br/>
Eric Riddle<br/>
Oklahoma State University</p>
<p>113. (CYA/SF) Science Fiction as Children’s Educational Teaching Tool Belle Isle<br/>
Chair: Amanda Firestone<br/>
The University of Tampa</p>
<p>The Race for the Moon: Space Race Childhood in Highlights for Children Magazine<br/>
Susan M. Strayer<br/>
The Ohio State University</p>
<p>“Unless They Put a BRAIN Inside Its Head”: Robots and Al in Children’s Fiction<br/>
Emily Midkiff<br/>
Independent Scholar</p>
<p>Robots and Al in Middle-Grade Science Fiction<br/>
Eric Otto<br/>
Florida Gulf Coast University</p>
<p>*******<br/>
Coffee Break 10:00-10:30am Mezzanine and Ballroom Foyer<br/>
*******<br/>
<em><strong>Saturday, March 17, 2018 10:30-12:00 a.m.</strong></em></p>
<p>114. Coping in Today’s Job Market: How to Find a Job Cove<br/>
Part 1: Preparing your Documents<br/>
Kathryn Hume, Penn State University, emerita: applying at large research-focused universities<br/>
Mark Decker, Bloomsburg University: applying at teaching-focused universities</p>
<p>115. (FTV) Stranger Things, Orphan Black, and Female POV in Horror Cinema Pine<br/>
Chair: Lisa Macklem<br/>
The University of Western Ontario</p>
<p>Stranger Things on Riemann Surfaces<br/>
Sean Nixon<br/>
Independent Scholar</p>
<p>Poor Copies: The Violent Creatures of Orphan Black<br/>
Kathleen Kellett<br/>
Independent Scholar</p>
<p>Returning Their Gaze: The Need for More Horror Media from a Female POV<br/>
Elsa M Carruthers and Rhonda Jackson Joseph<br/>
Lone Star College</p>
<p>116. (FTV) (Not)Seeing and (Not)Hearing on Film Oak<br/>
Chair: Steven Holmes<br/>
University of Hawaii at Manoa</p>
<p>Deckard’s Piano: The Use of Diegetic Music in the Blade Runner Films<br/>
Charles Cuthbertson<br/>
Palm Beach State College</p>
<p>“I have seen things you people wouldn’t believe”: Sight and Blindness in Blade Runner and Mary Shelley’s Frankenstein<br/>
Christian Dickinson<br/>
Baylor University</p>
<p>Silent Symphonies of the Fantastic: Silence and Sound in the Films of David Lynch<br/>
Sven Raeymaekers<br/>
Kingston University London</p>
<p>117. (VPAA) All the World’s an Evolving Retro-Futuristic Posthuman Stage Dogwood<br/>
Chair: Daryl Ritchot<br/>
University of British Columbia Okanagan and Okanagan College</p>
<p>The Future is Fey: Towards a Posthuman Dramaturgy in Caryl Churchill’s The Skriker<br/>
Kelli Shermeyer<br/>
University of Virginia</p>
<p>Tor Lab’s Steal the Stars and Speculations on the Retro/Future of Podcast Theatre and Publishing<br/>
Carrie J. Cole<br/>
Indiana University of Pennsylvania</p>
<p>Giving Ariel Back her Voice: The Little Mermaid’s Evolution from Film to Stage<br/>
Charles J. Yow<br/>
University of Southern Mississippi</p>
<p>118. (FL) History, Adaptation, and Golems Maple<br/>
Chair: Samantha Baugus<br/>
University of Florida</p>
<p>Transposing monsters: Ahmed Saadawi’s Frankenstein in Baghdad<br/>
Amy Christmas<br/>
Qatar University</p>
<p>“Master, Command Me”: Golem and Creator in Chabon, Wecker, and Almond<br/>
Jonna Gjevre<br/>
Author</p>
<p>History with Magic…and the Patriarchy: An Examination of Female Empowerment in Historical Fantasies of the British Regency Era<br/>
Kelsey Olesen<br/>
Stonecoast</p>
<p>119. (HL/VPAA) Transmedial Horrors! Magnolia<br/>
Chair: Rebecca Stone Gordon<br/>
American University</p>
<p>LaValle’s &#8220;Destroyer&#8221;: A Creature for Today<br/>
Robert Lynch and Sonja Lynch<br/>
Longwood University, Wartburg College</p>
<p>Literary Demons: Unraveling Julian Karswell’s Bookish Curse in Night of the Demon<br/>
Michael Furlong<br/>
University of Central Florida</p>
<p>Undead on Life Support: Patchwork Girl, Airship Dracula, and New Media Obsolescence<br/>
Robin Whittle<br/>
Independent scholar</p>
<p>120. (SF) It’s Alive: Non-Human Modes of Being Captiva A<br/>
Chair: Paweł Frelik<br/>
Maria Curie-Skłodowska University</p>
<p>Vegetal Time in Nineteenth-Century Econoir<br/>
Katherine Bishop<br/>
Miyazaki International College</p>
<p>The Question of the Vegetal, the Animal, the Archive in Queen City Jazz<br/>
Graham J. Murphy<br/>
Seneca College</p>
<p>Two Vitalisms: On Clifford Simak’s “Shadow Show”<br/>
Steven Shaviro<br/>
Wayne State University</p>
<p>121. (SF) Science Fiction and Philosophy Captiva B<br/>
Chair: Alayne Peterson<br/>
University of Wisconsin - Fond du Lac</p>
<p>The Cognitive Fiction of John Kessel<br/>
Don Riggs<br/>
Drexel University</p>
<p>Reality as a Belief System: A Philosophical Examination of Philip K. Dick’s The Three Stigmata of Palmer Eldritch<br/>
Jess Flarity<br/>
Stonecoast MFA</p>
<p>122. Author Readings 14 Vista A<br/>
Host: Usman Malik</p>
<p>Alexis Brooks de Vita<br/>
Alisa Sheckley Kwitney<br/>
K. Tempest Bradford</p>
<p>123. Poetry Readings Vista B<br/>
Host: Owl Goingback</p>
<p>Marge Simon<br/>
Mary A. Turzillo<br/>
David Lunde<br/>
Bryan Dietrich</p>
<p>124. (FL) Magic, Metamorphosis, and Metaphor Vista C<br/>
Chair: Brittani Ivan<br/>
Kansas State University</p>
<p>From Textile Worker to Silkworm: Grotesque Metamorphosis in “Reeling for the Empire”<br/>
Mark Heimermann<br/>
Silver Lake College</p>
<p>Not Just a Cool Gadget: The Intention Craft as Metaphor for Creativity and Intention in His Dark Materials<br/>
Jamie Teixeira<br/>
Kansas State University</p>
<p>Fireballs, Shapeshifters, Artifacts and Wands: A Study of Magical Origins and Archetypes<br/>
K. R. Branch<br/>
University of Southern Maine Stonecoast</p>
<p>125. (CYA/SF) Mary Shelley Derivatives: Frankenstein in YA Adaptation Belle Isle<br/>
Chair: Nivair H. Gabriel<br/>
Simmons College</p>
<p>Alive and Enmagicked: Kelly Barnhill’s The Girl Who Drank the Moon as a Feminist Frankenstein Narrative<br/>
Christyl Rosewater<br/>
Hollins University</p>
<p>“It’s Alive!”: YA Adaptations of Frankenstein<br/>
Beth Feagan<br/>
Berea College</p>
<p>Gothic Transgressions: Realities and Fictions in Mary Shelley’s Frankenstein and Mackenzi Lee’s This Monstrous Thing<br/>
Wendy Fall<br/>
Marquette University</p>
<p>*****<br/>
12:00-12:15 p.m. Locus Photo Poolside</p>
<p>12:15-2:00 p.m. Open Lunch</p>
<p>12:30-1:45 University of Illinois Press Modern Masters of Science Fiction Series Reception Vista D<br/>
Hosts: Gary K. Wolfe and Marika Christofides<br/>
Chat with series editor Gary K. Wolfe and acquiring editor Marika Christofides. Coffee and refreshments will be available. Pitches welcome.</p>
<p>12:45-1:45 To See the Universe Unseen Magnolia<br/>
Geoffrey A. Landis, Invited Author and Scientist<br/>
Host: Jean Lorrah<br/>
Slideshow and presentation on art and science</p>
<p>*****</p>
<p><em><strong>Saturday, March 17, 2018 2:00-3:30 p.m.</strong></em></p>
<p>126. Coping in Today’s Job Market: How to Find a Job Cove<br/>
Part 2: Interviewing and Negotiating<br/>
Kathryn Hume, Penn State University, emerita: applying at large research-focused universities<br/>
Mark Decker, Bloomsburg University: applying at teaching-focused universities</p>
<p>127. (FTFN/HL/FTV) The Horror of Fairy Tales Pine<br/>
Chair: Jared Jones<br/>
The Ohio State University</p>
<p>“Spooky Action at a Distance”: Fairylore’s Intrusion on Vampiric Tradition in Only Lovers Left Alive<br/>
Sara Cleto and Brittany Warman<br/>
The Ohio State University</p>
<p>Fairy-Tale Horror as Representation, Rupture, and Affect<br/>
Cristina Bacchilega<br/>
University of Hawaiʻi-Mānoa</p>
<p>The Fascination of Horror: On Catherine Breillat’s Bluebeard<br/>
Lewis C. Seifert<br/>
Brown University</p>
<p>128. (FTV) Historicizing Body Snatching and Body Ownership after Frankenstein Oak<br/>
Chair: Jennifer K. Cox<br/>
Idaho State University</p>
<p>From The Day After to The 100: Nuclear Weapons on Television and in the Public Sphere<br/>
Steven Holmes<br/>
University of Hawaii at Manoa</p>
<p>From Monster to Slave: The Abject-Horror of the Contemporary Capitalist Body Transplant Film<br/>
Valérie Savard<br/>
University of Alberta</p>
<p>Hammer-Time for Frankenstein: Examining the Presence of the Body-Snatcher in the Hammer Studio’s Frankenstein Movie Cycle<br/>
Charles Hoge<br/>
Metropolitan State University of Denver</p>
<p>129. (VPAA) Don’t Hate the Player Character, Hate the Collectible Card Game Dogwood<br/>
Chair: Christopher Schmersahl<br/>
Palm Beach State College</p>
<p>Links, Shepards and Adventurers like You: Player-Characters and Immersion in Role-Playing Video Games<br/>
Charlotte Reber<br/>
Independent Scholar</p>
<p>Going Beyond the Player-Character: Clementine as Protagonist in Tell-Tale Games: The Walking Dead series<br/>
Cole Atcheson<br/>
Independent Scholar</p>
<p>Magic and Hearthstone: Remediating Collectible Card Games<br/>
Kenton Taylor Howard<br/>
University of Central Florida</p>
<p>130. (HL/SF) Panel: Frankenstein, Bodily Assemblages, and Disability Maple<br/>
Moderator: Derek Newman-Stille<br/>
Trent University</p>
<p>Anya Heise-von der Lippe, Universität Tübingen / Freie Universität Berlin<br/>
Matthew Masucci, State College of Florida, Venice Campus<br/>
Sarah Milner, Trent University<br/>
Ashley Morford, University of Toronto</p>
<p>131. (HL) Early 20th-century Masters of Literary Horror: Blackwood, Endore, de la Mare Magnolia<br/>
Chair: William J. Hamilton<br/>
Neumann University</p>
<p>“A Tremendous Muchness Suddenly Revealed:” Consciousness, Terror, and Devolution in Algernon Blackwood’s “The Willows”<br/>
Kay Chronister<br/>
University of Arizona</p>
<p>Homo Homini Lupus: Human Nature and the Politics of Realism in Guy Endore’s The Werewolf of Paris<br/>
Eric D. Smith<br/>
University of Alabama-Huntsville</p>
<p>A Visit to All Hallows<br/>
Stan Kranc<br/>
University of South Florida</p>
<p>132. (SF/IF) Mary Shelley Captiva A<br/>
Chair: Arthur B. Evans<br/>
Science Fiction Studies/DePauw University</p>
<p>French Connections for Mary W. Shelley’s The Last Man<br/>
Amy J. Ransom<br/>
Central Michigan University</p>
<p>Mary Shelley: My Monster/ Myself- In pursuit of the (Last) Woman<br/>
Daphne Grace<br/>
University of Brighton</p>
<p>133. (SF) Things Cyber Captiva B<br/>
Chair: Steven Shaviro<br/>
Wayne State University</p>
<p>From Neuromancy to Fiscalmancy: Cyberpunk as Speculative Financial Fictions<br/>
Hugh Charles O’Connell<br/>
University of Massachusetts Boston</p>
<p>The Iterated Shells of Motoko Kusanagi: Cyborgs and Citation in Ghost in the Shell<br/>
Alexander Sherman<br/>
Author</p>
<p>134. Author Readings 15 Vista A<br/>
Host: Matthew Sanborn Smith</p>
<p>Sarah Pinsker<br/>
Caitlin R. Kiernan<br/>
James Morrow</p>
<p>135. Creative Panel 6: The Frankenstein Meme Vista B<br/>
Moderator: David Sandner</p>
<p>John Kessel<br/>
Theodora Goss<br/>
Eileen Gunn<br/>
Kathleen Ann Goonan</p>
<p>136. (FL) Weirdly Urban Vista C<br/>
Chair: Paul Williams<br/>
Idaho State University</p>
<p>Modernity Meets Magic in the Urban Fantasy of Ben Aaronovitch<br/>
Stefan Ekman<br/>
University of Gothenburg</p>
<p>From New Weird to New Humanism: Responses to the Limits of Horror in China Miéville’s Perdido Street Station and Kelly Link’s “The New Boyfriend”<br/>
Kelly Budruweit<br/>
University of Iowa</p>
<p>Magic and Liminality in Jonathan Strange and Mr. Norrell<br/>
Steven Gores<br/>
Northern Kentucky University</p>
<p>137. (CYA/FL/FTV) Panel: Teen Werewolves, Witches, and Vampires with Souls! Oh My!: Youth and Monstrosity in Buffy the Vampire Slayer Belle Isle<br/>
Moderator: Beth Feagan<br/>
Berea College</p>
<p>Justin Cosner, University of Iowa<br/>
Rodney Fierce, Sonoma Academy<br/>
Patricia L. Grosse, Drexel University</p>
<p><em><strong>Saturday, March 17, 2018 4:00-5:30 p.m.</strong></em></p>
<p>138. (VPAA/FTV) Pop Culture and What People Make of It Cove<br/>
Chair: Natalie Deam<br/>
Stanford University</p>
<p>“Try the Grey Stuff, It’s Delicious”: Food and Fandom at Disney Theme Parks<br/>
Daryl Ritchot<br/>
University of British Columbia Okanagan and Okanagan College</p>
<p>The Author, the Audience, and the Almighty: Supernatural’s Chuck Shurley as Metatextual Mirror<br/>
Eden Lee Lackner<br/>
University of Calgary</p>
<p>“As if millions of voices all cried out at once&#8230;”: Using the vocabulary of the Star Wars fantasy diegesis to articulate stages of grief in social media mourning of Carrie Fisher<br/>
Eve Smith<br/>
Liverpool John Moores University</p>
<p>139. (FTV/SF) Annihilation: The (New) Weird on Film Pine<br/>
Moderator: Benjamin J. Robertson</p>
<p>Katherine E. Bishop, Miyazaki International College<br/>
Jason Embry, Georgia Gwinnett College<br/>
Siobhan Carroll, University of Delaware<br/>
Bethany Doane, Pennsylvania State University<br/>
Alison Sperling, Santa Clara University</p>
<p>140. (VPAA) Performing Gender Dogwood<br/>
Chair: Kelli Shermeyer<br/>
University of Virginia</p>
<p>“It Could Be You:” Joseph the Amazing Technicolor Queer Hero<br/>
Catharine Kane<br/>
Illinois State University</p>
<p>The(y’)re No Heroes: Qui Nguyen’s Men of Steel and Toxic Masculinity in Video Game and Comic Book Culture<br/>
Scout Storey<br/>
University of Georgia</p>
<p>141. (SF/IF) AfroFuturism Maple<br/>
Chair: Dominick Grace<br/>
Brescia University College</p>
<p>Motherless Monsters, Science Astray: The Promethean Kinship of Shelley’s Frankenstein and Okorafor’s Book of Phoenix<br/>
Sandra J. Lindow<br/>
Independent Scholar</p>
<p>“But all we really know that we have is the flesh”: Body-Knowledge, Mulatto Genomics, and Reproductive Futurities in Octavia Butler’s Xenogenesis<br/>
Karina A. Vado<br/>
University of Florida</p>
<p>Breaking the Frame: Reimagining Genre via Form in Nnedi Okorafor’s Lagoon<br/>
Kylie Korsnack<br/>
Vanderbilt University</p>
<p>142. (HL) Contemporary Masters of Literary Horror: King, Malerman, Smith Magnolia<br/>
Chair: Sean Moreland<br/>
University of Ottawa</p>
<p>“You’ll Float Too”: Stephen King’s It as Modern Frankenstein<br/>
James M. Curtis<br/>
College of St. Joseph</p>
<p>Imagination, Fear and Narrative Constriction in Josh Malerman’s Bird Box<br/>
Van Leavenworth<br/>
Umeå